Showing posts with label Augsburg. Show all posts
Showing posts with label Augsburg. Show all posts

More sites in Bavaria

Augsburg
 The planned gauforum
 
Looking down Augsburg's Maximiliansstraße in 1938 and today
It was from an aerodrome near Augsburg that Rudolf Hess flew to the United Kingdom at 17.45 on Saturday, May 10 1941 alone over the North Sea to Scotland, seeking out the Duke of Hamilton. This is also the hometown of Jakob Grimminger, famous for having been awarded the honour of carrying the blood-stained Blutfahne from the Munich putsch.
Propaganda during the Reichstag elections of November 12, 1933. The sign above the clock reads "Wir wollen kein Volk minderen Rechts sein." From Hakenkreuz und Zirbelnuß. Augsburg im Dritten Reich (Filser and Thieme).

After February 1944 bombing and today, showing how much has been reconstructed
The wife in front of the Augustus statue at Maximiliansplatz

The Herkulesbrunnen then and now

The Weberhaus (Weavers' House) on Merkurbrunnen

Welcoming Hitler on his March 17, 1937 visit

Adolf-Hitler-Platz, now renamed Königsplatz
 Annastrasse and Adolf Hitler Platz and the site's proposed redevelopment

Jakoberstraße then and now

Margaretenstraße


The Stadttheater in August, 1934

Hitler attending a performance at its re-opening May 24, 1939

Nazi demonstration outside the Stadttheater on March 23, 1933 and a neo-Nazi demonstration at the same site on December 2, 2006. 
Hitler in front of the Stadttheater on March 19, 1937 and the building today, sporting a banner denouncing racism at another recent demonstration. It was in a speech at Augsburg on November 21 that year that Hitler made the demand for colonies when he declared: "What the world shuts its ears to today it will not be able to ignore in a year's time. What it will not listen to now it will have to think about in three years' time, and in five or six it will have to take into practical consideration. We shall voice our demand for living-room in colonies more and more loudly till the world cannot but recognize our claim."

Bürgermeister Kellner speaking in the Goldener Saal of the rathaus in 1934 during the so-called Machtergreifung
The rathaus after the bombing of February 25-26 1944 and today. The right shows the town in 1945 looking down Karlstraße.
 
The  Zeughaus (armoury)
 
The cathedral 
 
The Annakirche
 
St Ulrich 

Landratsamt
Just from the train station down Prinzregentstr. is the Landratsamt (District administration office) with the reichsadler still above the door and state-protected by a mesh screen.

Also on the façade is what appears to be NS relief typical of the time for the German Workers' Front.
The building and, on the right, a vehicle registration plaque from the Landsrat during the NSDAP era.
 
The Augsburg tax office on Peutingerstraße laid out the tax laws in paragraph 1, sentence 1 of its Tax Adjustment Act of October 1934: " The tax laws are interpreted by Nazi ideology." Citizens were asked to list the number of "Aryan" children they had whilst those seen as living outside the community- Jehovah's Witnesses, forced labourers , Sinti and Roma, Jews were targetted. The confiscation of Jewish property was initiated from the Alltagsgeschäft but later centralised with the start of the deportations in 1941.

The Fuggerhaus on Maximilanstrasse then and now

The building after the war
 
The  Fuggerei - the world's oldest social housing complex still in use.

Haus Theodor Wiedemann Strasse 35
The left shows a relief representing a link between the Roman Empire and the Third Reich whilst the right shows under the claws of an eagle a tank and the navy, with above it the air force bombing and the army. The tank and lightnings are toward the east aligned. If one puts the realm eagle on a map, heading direction the north, the view is against France. The line of sight of the NSDAP Reichsadlers was modified to the right (the east).

Am Haus Firnhaberstrasse 53

This relief shows a stylised representation of a Messerschmidt BF 109 - the most important fighter of Luftwaffe.

Richthofen Strasse
Above the doors are reliefs representing the Deutschen Arbeitsfront, Hitlerjugend and the NS Frauenschaft.

The swastika has been removed from all devices.
Reinöhlstrasse


Gentnerstrasse 53 -59


Reliefs celebrating the 1936 Olympic Games; note the Hitler hairstyle in the second relief.

Site of Augsburg's 'Liberation'
I hadn't heard of this 'Augsburg Liberation Movement' which helped the American 3rd Infantry Division 'liberate' the town from the Germans (apparently only after it became clear the war was days from being lost) until I came across this plaque. Google-searching the group in English found only one entry for it.
The Synagogue

The synagogue before and after the war, with the signs reading "Entry Forbidden for the General Public", but also mentioning a Jewish Service on Friday and Sunday. In 1913 the local Jewish community had the architects Lömpel and Landauer build a synagogue in the town centre which was dedicated in 1917. Described as "possibly the most significant art nouveau synagogue in Europe" it was seriously damaged during Kristallnacht but survived before finally reopening in 1985.
 
Nearby is the main railway station- Hitler at the Augsburger Hauptbahnhof November 21, 1937 and today, remarkably unchanged
video
Augsburg was also the setting for Göring's surrender to the allies. On the right is colour footage of Göring's first day as a prisoner in the town.
May 11, 1945, he was taken out of the back door of the two-storey suburban house in Augsburg to meet fifty Allied newspapermen. Gripping a pair of matching grey suede gloves, he slumped into an easy chair and mopped at his brow as the shutters clicked. After five minutes they allowed him to move into the thin shade of a willow tree. The questioning resumed. Heaping blame for the first time in public on Martin Bormann, he insisted that it must have been Bormann and not Hitler who had nominated Dönitz as the new Führer. “Hitler,” rasped Göring, “did not leave a thing in writing saying that Dönitz was to take his place!”
He publicly revealed that he had opposed Hitler’s attack on Russia. “I pointed out to him,” said Göring, “his own words in Mein Kampf concerning a two-front war. . . . But Hitler believed that by the year’s end he could bring Russia to her knees.” He revealed to the newspapermen his unhappiest moment of the war. “The greatest surprise of the war to us was the long- range fighter bomber that could take off from England, attack Berlin, and return to its home base. I realized,” he added disarmingly, “that the war was lost shortly after the invasion of France and the subsequent breakthrough.”
Asked inevitably about the Nazi extermination camps, Göring was dismissive. “I was never so close to Hitler as to have him express himself to me on this subject,” he said. He was sure that these atrocity reports were “merely propaganda. Hitler,” he concluded, recalling that trembling right hand signing the documents, “had something wrong with his brain the last time I saw him.”
Irving (691) Göring: A Biography
Regensburg
 The Salzstadl from the 1940 book Regensburg: Eine Stadt des Reiches published by Gauverlag Bayerische Ostmark in Bayreuth and today.
 It was here in Regensburg that former Chancellor Franz von Papen, who more than anyone else jobbed Hitler into office, was held after having been sentenced to eight years’ hard labour at the Nuremberg trials. 
While he was in Regensburg he was set upon by an SS man in the washhouse who beat him bloody, fracturing his nose and cheekbone and splitting his lips and eyelids. He was sewn up by another prisoner, a surgeon. Papen says he was singled out for special treatment. Meanwhile he was convinced that the right way to get out was to appeal for a shorter sentence rather than a retrial, which might have taken years to bring about. 
Giles MacDonogh (403) After the Reich: The Brutal History of the Allied Occupation
Cathedral
The wife standing in front of one of the finest Gothic cathedrals in Europe which is still allowed to have on its facade the Jews' Sow, an example of antisemitic propaganda used by the authorities to ostracise the Jewish minority. There is a plaque that reads euphemistically:
The sculpture should be regarded as a witness in stone to a bygone era and should be seen in connection to its time; It is repugnant for the viewer of today in its anti-Jewish expression.
Regensburg Rathaus
Hitler exiting in 1933 and the site today.

During the war in 1942 and today
Adolf Hitler Brücke was inaugurated on December 21, 1935, by the Bavarian Minister for the Interior, Adolf Wagner, who dedicated it "to the glory of the state, the glory of the Bavarian Ostmark and the glory of National Socialist Germany". Work began with the north span, between the Lower Wöhrd and Weichs; work on the south span, between Weißenburgstraße and the Lower Wöhrd, began in summer 1936. In 1937 the north span opened to traffic and repairs immediately began on the Stone Bridge. On 18 June 1938, the south span and the Frankenbrücke both opened, and on 16 July Minister Wagner ceremonially christened the bridge. Several thousand people attended the festivities and the fireworks that evening. The bridge was designed by Roderich Fick, with engineering work by Gerhart & Zenns. Fick wanted the new concrete bridge to appear as slender and serene as possible to contrast with the Stone Bridge.  On 23 April 1945, the bridge was blown up to slow the Allied advance, and largely destroyed. It has since been replaced by the Nibelungenbrücke.
Albert Allmann's reichsadler that had graced the Nibelungenbrücke until it had been removed after the bridge's restoration. For the 1938 Adolf Hitler Bridge, Munich sculptor Allman was commissioned to carve a group of maidens and a monumental Nazi eagle. Allman had little experience as a monumental sculptor; he was known for art deco nudes. He requested porphyry, an extremely durable stone, for the eagle but was required to use granite. He began work over a year late; when the bridge was dedicated, the eagle was not yet ready and was ineptly added to the official photographs by retouching. When completed in 1939, the 9-metre eagle weighed 12 tonnes and had cost RM18,000. In March 1940 it was installed at a semicircular lookout between the two parts of the bridge.  The eagle was mounted on the 1950 Nibelungen Bridge as a federal eagle, facing east, with the swastika omitted from the oak garland in its claws. It was frequently defaced with graffiti and painted various colours. The maidens were also placed on the new bridge.  On 11 July 2001, as part of the preparations for moving the 1950 bridge before its demolition, the eagle and the maidens were moved into storage. It was announced at the time that the city would find an appropriate use for the eagle, but as of 2008 it was still in storage, despite a 2003 invitation for proposals from well known artists and an exhibit of the suggestions, which included wrapping it in the manner of Christo and permitting nature to reclaim it by letting grass grow over it. Other ideas have included smashing it and reassembling it randomly, and a local entrepreneur once offered to buy it and put it in his garden.
History of the Brückenadler

Oskar Schindler's Residence 1945-1950
It was here, off Goliathstrasse, that Oskar Schindler briefly lived after the war, all but penniless.

The morning after Reichskristallnacht in Regensburg: Jews led down Arnulfplatz, Ludwigstraße and Maxstraße to the railway station
On the night of November 9, Sebastian Platzer, head of the NSKK driver training school in Regensburg, was ordered by his superior, Wilhelm Müller-Seyfferth, to set fire to the local synagogue together with the NSKK men under his command. In characteristic fashion, the NSKK, the SA, and the ϟϟ fought over who would get to carry out the arson attack. Arrests of Jewish families began directly thereafter, and the next morning – under the supervision of Müller-Seyfferth – the SA and the NSKK forced the Jewish men to do degrading drills. Finally, all of the Jewish men in Regensburg were led to the train station on a “march of shame” [Schandmarsch] under a poster that read “Exodus of Jews” [Auszug der Juden]. Some were deported to the Dachau concentration camp; others were taken to the Regensburg prison. A total of 224 Jewish men from the entire administrative district of Lower Bavaria and Upper Palatinate were sent to Dachau. In the end, only eleven survived the camps and could be released in May 1945 by the Allies.
The Nazis’ use of the phrase “Exodus of Jews” was particularly cynical since it alluded to the exodus of Jews from Egypt, a central liberation theme in Jewish tradition. This phrase was used in later waves of persecution and killings. At the train station a reminder of Reichskristallnacht appears on a mural on the wall at the entrance.
However, the persecution of the Jews took place much earlier in Regensburg's history. The original Synagogue was erected between 1210 and 1227 on the site of the former Jewish hospital in the centre of the ghetto. In 1519 following the death of Emperor Maxmilian who had long been a protector of the Jews in the imperial cities, the town, which blamed its economic troubles on its prosperous Jewish community, expelled the 500 Jews. The Jews themselves had demolished the interior of their venerable synagogue, on the site of which seen behind me a chapel was built in honour of the Virgin. Two etchings made by Albrecht Altdorfer just before it was destroyed on February 22, 1519 provide the first prints of an actual architectural monument. Just in front is a memorial created by Dani Karavan in 2005 that depicts the foundation of the Synagogue. Dani Karavan website
 

The synagogue alight during Reichskristallnacht, November 8-9 1938...
 
 ... and the current synagogue today, with memorial plaque to the events of the past

The house on the right of the photograph showing Regensburg in flames after allied bombing remains at Donaustaufer Straße, although it's uncertain for how much longer.
The Americans were only a short distance away, and few people were prepared to go down in flames as the enemy took the town. Next morning some women started going round shops, spreading the word that there was to be another meeting that evening in Moltkeplatz, in the city centre, to demand that Regensburg be handed over to the Allies without a fight. Nearly a thousand people, many of them women with children, turned out. As the crowd started to become restless, it was addressed by a prominent member of the cathedral chapter, Domprediger Dr. Johann Maier, who, however, was able to say only a few words before he and several others were arrested.
When [Gauleiter] Rucksdeckel heard what had happened, he ordered that Maier and the other 'ringleaders' be hanged. A rapidly summoned drumhead court lost no time in pronouncing the death sentence on Maier and a seventy-year-old warehouse worker, Joseph Zirkl. They were hanged in the early hours of 24 April. The terror apparatus had still functioned. But with the Americans on the doorstep, the town's military commandant, its head of regional government, the Kreisleiter and the head of police suddenly vanished into the night. Gauleiter Rucksdeckel had also disappeared. The way was all at once clear for emissaries to hand over the city on 27 April, still largely undamaged by the war.
Kershaw (342-3) The End
 For a personal account of the American entry into Regensburg May 1, 1945:
Chapter 22: Regensburg, Germany
 
Porta Praetoria 
Haidplatz 
 
The Römerturm  at the former Moltkeplatz and today

The Regensburg Walhalla
Built by Ludwig I of Bavaria in 1830-41 at the 'hall of fame' for German heroes, on 7 June 1937, Hitler installed the bust of Anton Bruckner, (who was one of his favourite composers), in the Regensburg Walhalla; Wagner, of course, had already been honoured in the Walhalla.
On the night of 13th-14th January, 1942 after a hearing of Bruckner''s Seventh Symphony, Hitler remarked:
This work is based on popular airs of upper Austria. They're not textually reproduced, but repeatedly I recognise in passing Tyrolean dances of my youth. It's wonderful what he managed to get out of that folklore. As it happened, it's a priest to whom we must give the credit for having protected this great master. The Bishop of Linz used to sit in his cathedral for hours at a time, listening to Bruckner play the organ. He was the greatest organist of his day.
Hitler’s taste underwent several significant changes. During most of his life, Bruckner held little appeal.  Hoffmann did not so much as mention the composer’s name when once identifying Hitler’s favourites. Even after becoming chancellor, Speer noted, his interest ‘never seemed very marked’.
The composer had, however, symbolic importance to him, both as a ‘home town boy’ and as a rival to Brahms, so beloved in Vienna. It was a fixed part of the Nuremberg rallies for the cultural session to open with a movement of one of his symphonies. In June 1937 he was famously photographed paying his respects to the composer, standing in mute homage before a monument at ‘Valhalla hall of fame’ near Regensburg as Siegmund von Hausegger and the Munich Philharmonic played the magnificent Adagio of the Seventh Symphony.
Why Hitler staged that event is not known. Speculation has ranged from the theory that it was intended as a cultural precursor of the annexation of Austria the following year, to the notion that it was out of nostalgia for his ‘beautiful time as a choirboy’ and Lembach Abbey - with its Bruckner associations. Undoubtedly the Hitler felt a personal kinship. Both had come from small Austrian towns, grew up in modest circumstances, had fathers who died at an early age, were autodidacts, and made their way in life despite great obstacles. On a number of occasions he contrasted the Austrian Catholic Bruckner, whom the Viennese shunned, to the north German Protestant Brahms, whom they idolised. Then, suddenly in 1940 he developed a passion for Bruckner’s symphonies.  He even began mentioning him in the same breath with Wagner. ‘He told me,’ Goebbels noted in his diary, ‘... that it was only now during the war, that he had learned to like him at all.’ The enthusiasm steadily grew. By 1942 he placed Bruckner on a level with Beethoven, and categorised the former’s Seventh Symphony as ‘one of the most splendid manifestations of German musical creativity, the equivalent of Beethoven’s Ninth’. His feelings about Bruckner, man and composer, are best conveyed by remarks he made after listening to a recording of the first movement of the Seventh at his military headquarters in January 1942:

'Those are pure popular melodies from Upper Austria, nothing taken over literally but ländler and so on that I know from my youth. What the man made out of this primitive material ! In this case it was a priest who deserves well for having supported a great master.' 'The bishop of Linz sat for hours alone in the cathedral when Bruckner, the greatest organist of his time, played the organ. One can imagine how difficult it was for a small peasant lad when he went to Vienna, that urbanised, debauched society. A remark by him about Brahms, which a newspaper recently carried, brought him closer to me: Brahms’s music is quite lovely, but he preferred his own. That is the healthy self-confidence of a peasant who is modest but when it came down to it knew how to promote a cause when it was his own. That critic Hanslick made his life in Vienna hell. But when he could no longer be ignored, he was given honours and awards. But what could he do with those? It was his creative activity that should have been made easier.
Brahms was praised to the heavens by Jewry, a creature of salons, a theatrical figure with his flowing beard and hair and his hands raised above the keyboard. Bruckner on the other hand, a shrunken little man, would perhaps have been too shy even to play in such society.'
From then on Hitler did everything possible to promote Bruckner and to enlist him in his vendetta against Vienna. St Florian, where the composer’s career had begun, was to be turned into a pilgrimage site in the manner of Bayreuth. ‘He wants to establish a new cultural centre here,’ Goebbels noted. ‘Simply as a counter-weight to Vienna, which must gradually be shoved aside . . . . He intends to renovate St Florian at his own expense.’ Accordingly, Hitler financed a centre of Bruckner studies there, had the famous organ repaired and augmented the composer’s library.
He even designed a monument in his honour to stand in Linz, and endowed a Bruckner Orchestra which he was determined to make one of the world’s best. The publication of the Haas edition of the composer’s original scores was subsidised from his own funds. And he dreamed of constructing a bell tower in Linz with a carillon that would play a theme from the Fourth Symphony.

Spotts (230-233) Hitler and the Power of Aesthetics

Among the busts of renowned speakers of Germanic languages is this of Sophie Scholl.

Ingolstadt

Adolf-Hitler-Platz then and now.

The Bavarian King visiting what is now the Polizeimuseum during the First World War
BBC News2012-05-26

Passau
From 1892 until 1894, Adolf Hitler and his family lived here in Passau. The city archives mention Hitler being in Passau on four different occasions in the 1920s for speeches.
Hitler mentions it on the first page of Mein Kampf:
my father had to leave that frontier town which I had come to love so much and take up a new post farther down the Inn valley, at Passau, therefore actually in Germany itself.
According to John F. Williams in his book Corporal Hitler and the Great War 1914-1918: The List Regiment, "[f]rom his childhood – much of which was spent in the German border town of Passau – Hitler had been brought up to consider himself Bavarian."
Hitler lived here at Theresienstrasse 23 until May 1, 1893 before his family moved across to the other side of the Inn.
 
Apparently the red building today at what is now Kapuzinerstrasse 5 (renamed Klara-Hitler-Strasse 5 in honour of Hitler's mother) is the site of another Hitler residence.

The Passauer Tölpel then and now with baby Drake Winston in 2011

Three years later



The Residenzplatz with the Wittelsbacherbrunnen in front of the Dom

The St. Christopher mural on Pfaffengasse in 1941 and today

The Hängebrücke in 1938 and its current incarnation

Passau has recently been the scene of demonstrations by and against neo-nazis after the town's police chief Alois Mannichl had been stabbed in front of his home by a neo-nazi.

Kelheim


Hitler and Roehm leaving what appears to be the rathaus which hasn't changed after all these years. In the postcard in the background can be seen the Befreiungshalle
The Befreiungshalle ("Hall of Liberation") is an historical classical monument upon Mount Michelsberg above the city of Kelheim upstream of Regensburg on the Danube. On October 22 1933 Hitler gave two speeches in front of the Befreiungshalle on the occasion of a parade by the SA. He stated of it: "This monument of unification is a symbol for us of that to which we aspire in our struggle: ein Volk, ein Reich, ein Wille." On the right I have attempted to photoshop a photo of Himmler, Roehm and Hitler in front with as it appears today.